we sit opposite mountains
at our knees,
playful cardboards,
and electric crumbs
we do
skies apart, skies together
tin clouds we wear
behind our ears
for each other
we do
she and i,
we talk away colid cants
through teacup
and board
she do
my ear ~
close to that leaf
close to that knot
i do
to hear,
in hope,
her whisper of horizon
i do
with nook
and nickel
and future scrapes
across the shadow of see and saw
the blacks, our tigh.
her seconds are my firsts
a hundred horns my wig wanders by
Showing posts with label poem. Show all posts
Showing posts with label poem. Show all posts
Tuesday, April 3, 2012
Tuesday, January 17, 2012
three arms crossed awkwardly
"find me," it read.
waiting.
somewhere in the breaths of all air in the world with everything between the fingers; eyeless, foundless.
waiting.
a familiar skin much too silent on the cheek.
waiting.
for you.
waiting.
somewhere in the breaths of all air in the world with everything between the fingers; eyeless, foundless.
waiting.
a familiar skin much too silent on the cheek.
waiting.
for you.
Friday, January 13, 2012
bye product
i take pictures
so that maybe
i’ll time travel
and be able to answer the question i had
behind my back
so that maybe
i’ll time travel
and be able to answer the question i had
behind my back
Wednesday, January 11, 2012
get your halo off my affect
haphazardly stitched with wine.
a vague brightness from my own scratches against the sky.
what can i say
when the breath to say it is hair as hog
and spoils everything else like carthage
airs become the roll, spinning
and curled
with sugar on top
and cinnamon to disguise the noise.
a vague brightness from my own scratches against the sky.
what can i say
when the breath to say it is hair as hog
and spoils everything else like carthage
airs become the roll, spinning
and curled
with sugar on top
and cinnamon to disguise the noise.
montage
back when i used to swim in the rug, casting the sheets as my blurred cloudy friend,
i was conduit
i was invincible.
the crumble has been fierce. the ‘brades are tight, but i had never forgot this one thing
something i thought i forgot because everyone else had
but i couldn’t shake it loose even if i tried.
singularly
familiarly
strangely
apart-ley
i keep losing what i knew
and finding what i forgot
in you.
and i must thank you for your struggles
the panes you mend with reflection
with every little verb~
a mason of my foundation
and you’ll never know it
because the walls are too thick
the distance, too far.
and i’m much too determined
to honor what you’ve given me
not to let it go
and spill invisibility in my pockets
where your change still rattles my heart.
i was conduit
i was invincible.
the crumble has been fierce. the ‘brades are tight, but i had never forgot this one thing
something i thought i forgot because everyone else had
but i couldn’t shake it loose even if i tried.
singularly
familiarly
strangely
apart-ley
i keep losing what i knew
and finding what i forgot
in you.
and i must thank you for your struggles
the panes you mend with reflection
with every little verb~
a mason of my foundation
and you’ll never know it
because the walls are too thick
the distance, too far.
and i’m much too determined
to honor what you’ve given me
not to let it go
and spill invisibility in my pockets
where your change still rattles my heart.
Tuesday, January 3, 2012
Wednesday, December 28, 2011
white noise
the "artist" i hope to be,
that i always have been
a hueman
is one that does not learn to paint
does not learn to be "artist"
does not have any singular purpose
but rather a purpose entire.
to live, and share, and reflect, and connect
and communicate and disseminate
those collected and experienced moments
of the abstracts of the mind
in the past, of the future, and with the present
-
to do so, utilize the surround to articulate
tangible currencies for exchange between the realms
of each of us. . . and whole of us.
whatever means to mean whatever needs.
-
a hue man "is" because of why? of what?
because they are published? represented?
raise high auction or attention?
because word or phrase exists to classify?
because they are known at all?
indeed, the artist makes quite a disturbance
even bereft of audience.
that an audience is enabled notice at all
is ultimately benefit to the audience, not the artist
-
an artist is the pearl no matter the beast
they are caste by
is one that does not learn to paint
does not learn to be "artist"
does not have any singular purpose
but rather a purpose entire.
to live, and share, and reflect, and connect
and communicate and disseminate
those collected and experienced moments
of the abstracts of the mind
in the past, of the future, and with the present
-
to do so, utilize the surround to articulate
tangible currencies for exchange between the realms
of each of us. . . and whole of us.
whatever means to mean whatever needs.
-
a hue man "is" because of why? of what?
because they are published? represented?
raise high auction or attention?
because word or phrase exists to classify?
because they are known at all?
indeed, the artist makes quite a disturbance
even bereft of audience.
that an audience is enabled notice at all
is ultimately benefit to the audience, not the artist
-
an artist is the pearl no matter the beast
they are caste by
thus, it is the already-connection that benefits the
artist, a benefit not sought - already ingredient felt
and known
perfect
i want to be as close to "black" as possible. "possible"?
"as can be," then.
black as in "nothing." as in "everything."
continua, the "always"
abstract befores and after, or our perception and ableness to dwell on them - confuse
or do they? are the answers there? always there? never there.
black is without spoil. black is initial, and whole. white is stain and action and mess and fuss.
black is purity and all, not fragmented pieces holed up with intent and tions.
shuns? ..prevail in our human-intellected age.
instinct prevails with it's sex-induced propagation
but i am not so enabled with instinctual patrons.
"as can be," then.
black as in "nothing." as in "everything."
continua, the "always"
abstract befores and after, or our perception and ableness to dwell on them - confuse
or do they? are the answers there? always there? never there.
black is without spoil. black is initial, and whole. white is stain and action and mess and fuss.
black is purity and all, not fragmented pieces holed up with intent and tions.
shuns? ..prevail in our human-intellected age.
instinct prevails with it's sex-induced propagation
but i am not so enabled with instinctual patrons.
litote commoner
all these compilations - age, incomplete times - ongoing.
i remain, myself. despite myself. never me, always change
rattles in the pocket.
upon the picks and knits of others, i remain
myself
but changing myself
amoung others
despite others
nothing to effort
every the effort demanded
but without condition
i remain, myself. despite myself. never me, always change
rattles in the pocket.
upon the picks and knits of others, i remain
myself
but changing myself
amoung others
despite others
nothing to effort
every the effort demanded
but without condition
red seamer my
my bowler hides the cube
safely, softly, swiftly
i am protected by the same as that prevents
a mirror of tricks
a mirror that know balance despite intellects destruction
like the footsteps of instinct, my mirror in c'd keys feeds balance with instinctual confidence.
sex will out despite the grandioste plans of human intellect and so-called cultures.
safely, softly, swiftly
i am protected by the same as that prevents
a mirror of tricks
a mirror that know balance despite intellects destruction
like the footsteps of instinct, my mirror in c'd keys feeds balance with instinctual confidence.
sex will out despite the grandioste plans of human intellect and so-called cultures.
Thursday, December 1, 2011
tickery tock
memory is like a tick on a pillow
all cried
we felt butterflies
when we fall
we may forth and more
[author commentary – “parasitic phrasing”: “we felt butterflies when we fall” and “when we fall we may forth and more”
Monday, November 14, 2011
turns of the canopy
the local maples fell into crazy over the weekend
the airs mad with confetti
exhilarant
Thursday, November 10, 2011
edible
the infinite morsel is attractive to me. it is my surround. “it” is not it, not singular but whole but part. these breakdowns and buildups of boundaries and form fascinate my brain stuffs bewildered and overwhelmed. consistently, constantly, tirelessly, unrelenting; an insistent eyeless beast popping me with its static discharges and ambling pounds.
the shadows of my surround, the grays in my peripheral, the blacks and whites of my parallel and fore, and the prism of my aft are all my joyned chums; my old pals with fats to chew and fires to stoke.
my behoove is befuddled asunder a hack-shaed shag. tuft-wondereds hit my synaptic altitudes whilst sole and toe keep sod familiars.
the shadows of my surround, the grays in my peripheral, the blacks and whites of my parallel and fore, and the prism of my aft are all my joyned chums; my old pals with fats to chew and fires to stoke.
my behoove is befuddled asunder a hack-shaed shag. tuft-wondereds hit my synaptic altitudes whilst sole and toe keep sod familiars.
Tuesday, October 25, 2011
hues of compliment
if she is my tiff then i am her jpg. we have our tychs but our pixels blend into a seemless mosaic.
Friday, October 21, 2011
in the aperture of curtains
well you know what?
i was wrong
and that broke time
but i’m just going to be here
and be here
and hear and say
and there and ways
and whots and wheres
for you~
times fun
~is we.
regardless of our funks
those moods.
besides our pains,
our moots.
i love our soup.
it may be strange, may not be likely
but the aroma confesses the truth
contrast and blend makes it so
in the end
i was wrong
and that broke time
but i’m just going to be here
and be here
and hear and say
and there and ways
and whots and wheres
for you~
times fun
~is we.
regardless of our funks
those moods.
besides our pains,
our moots.
i love our soup.
it may be strange, may not be likely
but the aroma confesses the truth
contrast and blend makes it so
in the end
Labels:
bond,
fizzy lifting drinks,
human,
poem,
prose,
reflection
Wednesday, July 13, 2011
the half brat
a beautiful shoe
i cannot wear
will sit on a sil
i cannot wear
will sit on a sil
Labels:
observation,
perception,
perspective,
philosophy,
poem,
prose
Wednesday, December 8, 2010
flip top
the wig furiates. it twists it’s hage shaple. it so much wants to wring the hectre shates; an incense burnt beyond rational construction.
abstract aggregates and fools, it rathes to gnag. the enraged stoke peels the sensitivities in whole rips and burns from the face of acceptance.
it wants obliteration, against the fit nots. no times out to its game, it flips until it’s over.
abstract aggregates and fools, it rathes to gnag. the enraged stoke peels the sensitivities in whole rips and burns from the face of acceptance.
it wants obliteration, against the fit nots. no times out to its game, it flips until it’s over.
Labels:
autobiographical,
coin,
coined word,
observation,
phrase coin,
poem,
prose
the tendered edge
i want to be mad flown; frustrate; annihilate sown. but you stand in my way. my way- lost to the toe you draw about me. am me. forever backward- i find. and i cannot argue with consistent or prolonged conviction.
my twirl-around fools none of your shadows. your deeply is my in me. a voraciously stubborn charm on a crack and dandle. strop the balance, venomous tear.
with somehow your touch, a reminder, scraping, and soothing. you are where i see, and where i won’t see.
and you hold my well despite myself.
my twirl-around fools none of your shadows. your deeply is my in me. a voraciously stubborn charm on a crack and dandle. strop the balance, venomous tear.
with somehow your touch, a reminder, scraping, and soothing. you are where i see, and where i won’t see.
and you hold my well despite myself.
Labels:
autobiographical,
observation,
poem,
prose,
reflection
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